Ionesco - Un théâtre onirique (French Edition)

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They're propulsive and exuberant and there's a wooden roller coaster feeling to them--they leave me a little breathless. I kept laughing out loud, even though the stories aren't funny; instead they are just very surprising, and each sentence takes a new twist in an unexpected direction. Unlike a lot of avant garde writing these stories seem very humane, full of kindness. Nov 29, Daniel rated it really liked it Shelves: literature , theatre. It was very interesting to read these stories, most of which are also plays by the author. It is not clear if the stories were written before the plays or afterwards, but according to the inside flap of the dust cover, Ionesco prefers writing fiction to drama.

There is certainly a sense of wonder, in his characters, over the events that happen in these absurdist pieces, and the playfulness, particularly in "Stoller" comes through nicely. A work such as "Oriflamme" or "Rhinoceros" might work bett It was very interesting to read these stories, most of which are also plays by the author. A work such as "Oriflamme" or "Rhinoceros" might work better on stage because of the shock value of actually seeing a growing corpse or people turning in to rhinoceroses.

31 Best Eugene Ionesco images in | Eugene ionesco, Eugene o'neill, Rhinoceros

I'm not sure if it's actual fragments of a journal or a story to come off that way. It grew a little tedious, which makes me think it's truly a journal. For me this was a real pleasure. There isn't much Ionesco that I haven't already read in English , so to find something like this, which is new to me is an absolute prize.

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I can't imagine too many people liking this as I did, so it doesn't get recommended, but it does get "thumbs up. Jul 04, Michael sinkofcabbages rated it it was amazing. Ive always loved Ionesco. And i dont just mean the usual speel about absurdism, fragmentation of narrative and the usual stuff. I think writing came easy to him and thats why he kind of struggled with it. I can understand peoples responce to studying Ionesco's plays. Thats why books like this are nice. They give a different overview of his writing on the whole.

And i think people that complain about the interjections he puts into story collections about his childhood or life are missing a hughe point. If your tired of Ionesco plays; then read this book. Oct 18, K rated it really liked it Shelves: that-s-absurd. I read the first short story in this collection, "Oriflamme," en francais when I was in high school, which was confusing if you're still learning a language it can be hard to tell if something fantastical is happening or if you just don't understand the text , but also really delightful.

It definitely stuck with me, so I was happy to track down this book. Some of the stories are definitely better than others, but I found all of them sufficiently engaging.

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I think all of these stories became pla I read the first short story in this collection, "Oriflamme," en francais when I was in high school, which was confusing if you're still learning a language it can be hard to tell if something fantastical is happening or if you just don't understand the text , but also really delightful. I think all of these stories became plays, so it would be fun to see how he translated them to a different genre. I've read Rhinoceros , but it was about 10 years ago, so I don't remember the details incredibly well.

I may try revisiting that one first. Dec 28, Gareth rated it really liked it. Ionesco is a treasure. And this collection are the short story versions of the plays. Well, come of them. I simply love reading these when rocks are falling within my head. Nov 20, Paul Sonnenberg rated it it was amazing. A tenderness infuses these dark parables, and that tender heart is laid bare in the reminiscences of the book's last piece: "Spring ".

A revelatory collection.

La Jeune fille à marier : pièce en 1 acte

Aug 23, Rob Lloyd rated it it was amazing Shelves: short-stories. An astoundingly supreme selection of short stories.

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Rightly up there with the best short stories I've read. The Bald Soprano was inspired by the repetitive and nonsensical phrases of his Lingaphone record. This the play went first unnoticed but arose attention when such writers as Jean Anouilh and Raymond Queneau started to campaign for it.

Intriguingly, these early works were labelled as "anti-plays," "comic dramas," "pseudo-dramas," "naturalistic comedies," and "tragic farces" which only added to their success. By Ionesco's reputation was established in France.

Gradually he was acclaimed as one of the leading exponents of the theatre of absurd. The central character of his plays was many times named Berenger, a free man in a dehumanized world where everybody try to be like all the others. The next day the papers wrote, "Ionesco shows us how we became Nazis.

In Buenos Aires, the military government thought it was an attack on Peronism. And in England they accused me of being a petit bourgeois. Rhinocero s, set in a small provincial town, was described by Ionesco as "an anti-Nazi play". In the background of the story was Ionesco's disgust when he saw how his friend slowly accepted Nazism. He quarrels with his friend Jean and Daisy, his pretty secretary.


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He is not going to capitulate. Rhinocero s was received with enthusiasm. The director was Orson Welles. Most of Ionesco's dramas are long one-act-pieces, or untraditional three-act plays. He has also written essays, published in Notes et contre-notes , textbooks for children, and a novel, Le Solitaire Its anonymous narrator is a clerk. He has lived for twenty years in a dingy hotel and worked in a small-time business. After inheriting a small fortune he can start a new life.

It was a world comparable to a zoo in which the animals enjoyed a kind of semi-freedom, with man made mountains, artificial woods, and imitation lakes, but at the far reaches there were still the same old fences. Ionesco's characters seem like robots, often enslaved by the dictatorial will of an unseen manipulator. Also Kafka, Dostoyevsky, and Beckett were important writers for him. His dramas deal with suffering, fear, and destruction, the emptiness of polite conversation.

Ionesco has admitted that often got ideas from dreams.

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His pessimism about the work of writers he expressed in "But for some time now, science and the psychology of the subconscious have been making enormous progress, whereas the empirical revelations of writers have been making very little. In these conditions, can literature still be considered as a means to knowledge?


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